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Tag / the-oral-stage

The Oral Stage, is back again with their latest project, Screwed. From their site:

The Oral Stage enters its fourth season with an all-new line-up of original shorts and monologues, a contemporary take on the timeless issues of identity, gender, relationships, meaning and purpose. Screwed reinforces the fact that being human is nothing short of being screwed, after all.


When: April 19th – 22nd 2007 @ 8.30 pm, April 21st – 22nd 2007 @ 3.00 pm
Where: The Kuala Lumpur Performing Arts Centre (KLPac) at Sentul (map)
Tickets: RM27 (Adults), RM17 (Students, senior citizens & the disabled)
Ticket contact and directions: KLPac @ 03-4047 9000

There is also a performance in Green Hall, Penang from May 4 to 6. For more information, check out their blog entry here.

It is great to see this group flourishing, I’ll be at the play this Saturday, you should too! After all, Spidy and Pirates aren’t here yet.

So we went to the latest play by fthe Oral Stage – fiftynineminutes which was held in a nice little location (the dram project) on the ground floor of the flat that also houses the famous 6 to 10 Grill and Nasi Lemak kopitiam-restaurant. We did have a nice meal there after the show, but lets not digress…

Pictures are described from top left, clockwise.

fiftynineminutes by the Oral Stage
the location, the booklets, interlude lady, best foot forward

There were 7 shows altogether, packed into a 59 minute play with the interludes played by a maid who was terribly funny in a way. I thought that was a clever way to set up the props. The shows were Best Food Forward, Mother Tongue, Fruitcake, Showers of Flowers, Track, The World’s Smelliest Durian, and The Ground Floor.

fiftynineminutes by the Oral Stage
mother tongue, fruitcake, showers of flowers x 2

Of the seven shows, there were some impressive individual performances (Lam Wai Yee & Johann Lim), some interesting moments, some artistic expressions, and even some disturbing topics. Overall, my, and judging from the reception by the crowd, most everyone’s favorite show was the world’s smelliest durian. I almost got a stomach cramp laughing.

However, I felt that a few of the plays were a little too cryptic and slightly overly artistic for my liking, though you might very well find it otherwise. The Mother Tongue with Lam Wai Yee was a great individual performance, but I thought it was lacking a little on the ending and overall message of the story, a missed opportunity. This is in contrast with the similar monologue at Rojak by Emily.

fiftynineminutes by the Oral Stage
track, the world’s smelliest durian, the ground floor, closing

As a whole, though, fiftynineminutes was a pretty decent show. I can honestly say that I enjoyed myself. Though there is some areas for improvement, the Oral Stage deserves much credit for pulling this off. For only 10 ringgit and free parking, this is definately something worth going.

For tickets and the how-to in getting to the place, read my pimp post on fiftynineminutes.